The Mistress is a BBC sitcom following the ups and downs of an extra-marital affair. Maxine is a carefree young woman, always looking on the bright side of things. She runs a successful florist s shop. She s also having an affair with married man, Luke. Although their relationship is illicit and Maxine is occasionally troubled by guilt and insecurity, she is reluctant to end it. Hovering between them is Luke s wife, Helen, who remains blissfully oblivious to her husband s extramarital activities...
Runtime: 30 minutes
The Mistress - Mistress (lover) - Netflix
A mistress is a relatively long-term female lover and companion who is not married to her partner, especially when her partner is married to someone else. Generally, the relationship is stable and at least semi-permanent, but the couple does not live together openly and the relationship is usually, but not always, secret. There is often also the implication (if not the fact) that the mistress is “kept” – i.e. that her lover is paying for some (and sometimes all) of her living expenses. The term “mistress” was originally used as a neutral feminine counterpart to “mister” or “master”.
The Mistress - History - Netflix
The historically best known and most-researched mistresses are the royal mistresses of European monarchs, for example, Agnès Sorel, Diane de Poitiers, Barbara Villiers, Nell Gwyn and Madame de Pompadour. The keeping of a mistress in Europe was not confined to royalty and nobility, but permeated down through the social ranks, essentially to any man who could afford to do so. Any man who could afford a mistress could have one (or more), regardless of social position. A wealthy merchant or a young noble might have a kept woman. Being a mistress was typically an occupation for a younger woman who, if she were fortunate, might go on to marry her lover or another man of rank. The ballad “The Three Ravens” (published in 1611, but possibly older) extolls the loyal mistress of a slain knight, who buries her dead lover and then dies of the exertion, as she was in an advanced stage of pregnancy. It is noteworthy that the ballad-maker assigned this role to the knight's mistress (“leman” was the term common at the time) rather than to his wife. In the courts of Europe, particularly Versailles and Whitehall in the 17th and 18th centuries, a mistress often wielded great power and influence. A king might have numerous mistresses, but have a single “favourite mistress” or “official mistress” (in French, maîtresse en titre), as with Louis XV and Madame de Pompadour. The mistresses of both Louis XV (especially Madame de Pompadour) and Charles II were often considered to exert great influence over their lovers, the relationships being open secrets. Other than wealthy merchants and kings, Alexander VI is but one example of a Pope who kept mistresses. While the extremely wealthy might keep a mistress for life (as George II of England did with “Mrs Howard”, even after they were no longer romantically linked), such was not the case for most kept women. In 1736, when George II was newly ascendant, Henry Fielding (in Pasquin) has his Lord Place say, “[...] but, miss, every one now keeps and is kept; there are no such things as marriages now-a-days, unless merely Smithfield contracts, and that for the support of families; but then the husband and wife both take into keeping within a fortnight”. Occasionally the mistress is in a superior position both financially and socially to her lover. As a widow, Catherine the Great was known to have been involved with several successive men during her reign; but, like many powerful women of her era, in spite of being a widow free to marry, she chose not to share her power with a husband, preferring to maintain absolute power alone. In literature, D. H. Lawrence's work Lady Chatterley's Lover portrays a situation where a woman becomes the mistress of her husband's gamekeeper. Until recently, a woman's taking a socially inferior lover was considered much more shocking than the reverse situation.
The Mistress - References - Netflix