The Master - Netflix

John Peter McAllister, an American veteran, is the only American ever accepted for training as a ninja. He finally leaves his clan to seek out his daughter in America. The ninja consider his abandoning them dishonorable and send one of their own, Osaka, to kill McAllister. Meanwhile, McAllister makes the acquaintance of a young wannabe knight errant, Max Keller, and agrees to train him in the ways of the ninja. As they travel the U.S. in Max's van, Max and McAllister help those that they meet.

The Master - Netflix

Type: Scripted

Languages: English

Status: Ended

Runtime: 60 minutes

Premier: 1984-01-20

The Master - The Master (Doctor Who) - Netflix

The Master is a recurring character in the British science fiction television series Doctor Who and its associated spin-off works. The character is a renegade alien Time Lord and the archenemy of the title character the Doctor. The Master has been played by multiple actors since the character's introduction in 1971. Within the show, this is varyingly explained as the Master taking possession of other characters' bodies, or as a consequence of regeneration, a biological attribute allowing Time Lords to survive fatal injuries. The role was originated by Roger Delgado in 1971, who portrayed the Master until his death in 1973. From 1976 until the show's cancellation in 1989, the Master was portrayed by a succession of actors: Peter Pratt, Geoffrey Beevers and Anthony Ainley. Eric Roberts then took on the role for the 1996 Doctor Who TV movie. Since the show's revival in 2005, the Master has been portrayed by Derek Jacobi, John Simm and Michelle Gomez. Beevers, Jacobi, Roberts & Gomez reprised the role for the Big Finish audio dramas, while Alex Macqueen and James Dreyfus portrayed incarnations unique to Big Finish.

The Master - Comic strips - Netflix

The Master returns in a new body and guise, that of a street preacher, in the previously mentioned Doctor Who Magazine (DWM) comic strip story The Fallen, although the Doctor does not recognise him. The Master reveals himself a few stories later, in The Glorious Dead. The Master had survived the events of the television movie by encountering a cosmic being named Esterath in the time vortex. Esterath controls the Glory, the focal point of the Omniversal spectrum which underlies all existence. The Master's scheme to take control of the Glory fails, and he is banished to parts unknown (see Kroton). In Character Assassin in DWM #311, the Delgado Master visits the Land of Fiction and steals part of the technology behind it, wiping out several nineteenth century fictional villains as he goes. He can also be seen in the following comic strips set during the Pertwee era: “The Glen of Sleeping” by Gerry Haylock and Dick O'Neill (TV Action 107–111) “Fogbound” by Frank Langford (Doctor Who Holiday Special 1973) “The Time Thief” by Steve Livesey (Doctor Who Annual 1974) “The Man in the Ion Mask” by Brian Williamson and Dan Abnett (Doctor Who Magazine Winter Special 1991) In the IDW publication Prisoners of Time, a 12-issue series to celebrate the 50th anniversary of Doctor Who, the Master (drawn based on Ainley's portrayal) plays a major part. He is the villain in #6 and #7, meeting the Sixth and Seventh Doctors, attempting to trap the Sixth Doctor in an Auton-staffed asylum and encountering the Seventh as he attempts to drain the energy from a pair of higher-dimensional beings. The Ainley Master is revealed to have teamed up with the Ninth Doctor's disgraced ex-companion Adam Mitchell, who is travelling through time kidnapping the Doctor's companions as revenge, the Master having presented himself as another 'victim' of the Doctor rather than the villain he truly is. His role in the plan culminates in an out-of-sequence encounter with the Eleventh Doctor after Adam abducts Clara Oswald, the Doctor noting that it has been a pleasantly long time since he saw this version of the Master. However, when the Eleventh Doctor manages to summon his previous ten selves to Adam's fortress to rescue their companions when Adam threatens to kill them all, the Master reveals that his true plan is to channel his stolen chronal energies through the Doctors' combined TARDISes, thus destroying the Universe. Horrified at the scale of the Master's evil and encouraged to take action by Rose and the Ninth, Tenth and Eleventh Doctors, Adam stands up to the Master, sacrificing himself to disable the Master's equipment. The Master escapes, noting that he enjoyed the chance to cause further chaos, but his plan has been thwarted. This is the only story in any medium as of April 2015 in which the Ninth and Eleventh Doctors encounter the Master. 2017 sees the return of Delgado's incarnation in Doorway to Hell, a Doctor Who Magazine comic strip printed in DWM #508–511, set after the events of Frontier in Space from the Master's perspective. This depicts an out-of-sequence encounter between Delgado's Master and the Twelfth Doctor in the year 1973, with the Master initially assuming that the Twelfth Doctor is the Fourth who regenerated after an explosion in the TARDIS that left the Doctor trapped on Earth in this time, until the Doctor informs his foe that he is from far in the Master's future. At the story's conclusion the critically wounded Master regenerates inside his TARDIS after the Doctor and the human family he has been living with deflects an attack with the “artron energy” the family absorbed while the Doctor's TARDIS was healing in their garden.

The Master - References - Netflix